Journal of Publishing and Criticism
JPC, Vol. 1, No. 1, 2026, pp.173-182
Print ISSN: 3107-0892; Online ISSN: 3107-0906
Journal homepage: https://www.jpcjournal.com
DOI: https://doi.org/10.64058/jpc260118rpgrc
Wang Xin
Abstract: The Phase of East Asian Women’s Chinese Literature focuses on the historical period marked by the prosperity and development of East Asian women’s Chinese literature from the fifteenth to the nineteenth century. Using the “East Asian Chinese Cultural Sphere” as its methodological framework, the book elaborates on the “phase” of ancient East Asian women’s Chinese literature. Based on women’s writing in classical Chinese, the book extends its research to East Asian countries represented by Japan and Korea, revealing the living conditions, spiritual aspirations, and literary characteristics of East Asian female writers in different social contexts through such dimensions as creative psychology, literary genres, and thematic expression. The gendered writing of “female survivors,” the reexamination of the marriages of “Heavenly Kings,” and the canon formation of women’s poetry in the Ming and Qing dynasties together present the overall landscape of women writers’ literary production during the Ming–Qing period. Through horizontal comparisons among China, Japan, and Korea, the book demonstrates cognitive differences in women’s literary talent and literary creation, teacher–disciple relationships, and role positioning, thereby promoting regional cultural exchange and further advancing research on the history of ancient Chinese literature in East Asia.
Keywords: East Asian Chinese Cultural Sphere; History of Ancient Chinese Literature in East Asia; Chinese Literature; women; gender studies.
Author Biography: Wang Xin, a master’s student at the School of Humanities, Guangzhou University. Research focuses on Chinese language teaching. E-mail: 2663407476@qq.com.
标题：区域视域与性别重构——评乔玉钰《东亚女性汉文学的位相》
摘要：《东亚女性汉文学的位相》一书聚焦15-19世纪东亚女性汉文学繁荣发展的历史时期，以“东亚汉文化圈”为方法论，阐述古代东亚女性汉文学的“位相”。全书在本土女性汉文学书写的基础上，将研究拓展至以日本、韩国为代表的东亚国家，从创作心理、创作体裁、创作题材等维度揭示东亚女性作家在不同社会语境下的生存状态、精神诉求和文学特质。“女遗民”的性别书写、“天壤王郎”的婚姻再审视和明清女性词的经典化构建囊括了明清之际女作家创作的整体情况，又在中国、日本、朝鲜的横向对比中，呈现对女性文才及创作、师生关系及角色定位的认知差异，推动了区域文化交流和东亚古代汉文学史研究的进一步发展。
关键词：东亚汉文化圈；东亚古代汉文学史；汉文学；女性
作者简介：王鑫，广州大学人文学院硕士研究生，研究方向：学科教学（语文），电邮：2663407476@qq.com。
Received: 30 Mar 2026 / Revised: 21 Apr 2026 / Accepted: 23 Apr 2026 / Published online: 30 Apr 2026 / Print published: 30 May 2026.
